Mahalia Jackson viewed as pinnacle of gospel music
By: Lucille Kline
Issue date: 2/28/08 Section: Features
The native song bird of Louisiana Mahalia Jackson, was born October 26, 1911 in New Orleans. Mahalia was the third child to John A. Jackson, a barber and preacher, and Charity Clark, who died at the age of 25 when Mahalia was four years old. In 1916, her father sent her to live with her aunt Mahalia "Duke" Paul. Aunt Duke didn't allow secular music in her house, but Mahalia's cousin would sneak in records. Even at a very young age, Mahalia had a booming voice and she would sing hymns and old-time gospel tunes around the house. Mahalia attended the McDonough School No. 24 in New Orleans through the eighth grade.
Mahalia Jackson is viewed by many as the pinnacle of gospel music. Her singing began at the age of 4 in her church, the Plymouth Rock Baptist Church in New Orleans. Her early style blended the freedom and power of gospel with the stricter style of the Baptist Church. As a teenager, through her cousin's aid, she was influenced by such famous singers as Bessie Smith, Ida Cox, Enrico Causo and Ma Rainey, and her own style began to emerge into a more soulful expression.
In 1927, at the age of 16, she moved to Chicago and found work as a domestic. But soon after, she found plenty of work as a soloist at churches and funerals after joining the greater Salem Baptist Church choir. Her unique contralto voice caught the attention of many small churches from coast to coast. Larger, more formal churches frowned upon her energetic renditions of songs.
After performing with the Prince Johnson Singers, she began recording for Decca Records in 1937. When the records did not sell as well as expected, she became a beautician. However, after five years of touring with composer Thomas A. Dorsey at gospel tents and churches, Mahalia's popularity and success garnered her another record contract, this time with Apollo Records, from 1946 to 1954. She then switched to Columbia Records, from 1954 to 1967, where she attained broad recognition as a spiritual singer.
Mahalia Jackson is viewed by many as the pinnacle of gospel music. Her singing began at the age of 4 in her church, the Plymouth Rock Baptist Church in New Orleans. Her early style blended the freedom and power of gospel with the stricter style of the Baptist Church. As a teenager, through her cousin's aid, she was influenced by such famous singers as Bessie Smith, Ida Cox, Enrico Causo and Ma Rainey, and her own style began to emerge into a more soulful expression.
In 1927, at the age of 16, she moved to Chicago and found work as a domestic. But soon after, she found plenty of work as a soloist at churches and funerals after joining the greater Salem Baptist Church choir. Her unique contralto voice caught the attention of many small churches from coast to coast. Larger, more formal churches frowned upon her energetic renditions of songs.
After performing with the Prince Johnson Singers, she began recording for Decca Records in 1937. When the records did not sell as well as expected, she became a beautician. However, after five years of touring with composer Thomas A. Dorsey at gospel tents and churches, Mahalia's popularity and success garnered her another record contract, this time with Apollo Records, from 1946 to 1954. She then switched to Columbia Records, from 1954 to 1967, where she attained broad recognition as a spiritual singer.
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